![]() ![]() “I think it’s OK to live whatever life you want to live,” Tank said. He was also forced to address the Lip Service interview again during a visit to another New York radio institution, Hot 97. But as an R&B singer whose income depends largely on his ability to arouse female desire, he repeatedly felt the need to clarify his own sexual preferences. The singer refused to back down from his initial stance. “It went from, Tank’s opinion about what Angela Yee was saying to it being personal: ‘Tank sucked two dicks.'” “Somebody grabbed a clip from the interview - completely isolated - and then they started writing the wildest captions that they could think of,” the singer laments. So Tank did the rounds, dropping by as many shows as he could, including Lip Service. And we still may never get to that chart.” In the promotional grind of it, we have to hit everything. ![]() The idea of going door-to-door isn’t the same - they can skip a few steps. “It’s a very different chart position, a different radio landscape. “The R&B grind is a different grind - it’s just not the same as hip-hop,” Tank says. Much of the audience that listens to Adult R&B - “I Don’t Think You’re Ready” reached around seven million people last week - does not stream, so it can be tough to turn those listeners into paying customers. As of this week, “I Don’t Think You’re Ready,” is Top Five in the format. “Dirty” is among the top 15 most-played songs of the year at Adult R&B radio, with over 33,000 spins. Once again, Tank’s rejection of the man-in-the-mirror approach to singing has paid off. “WWJD,” which is repetitive but effective in its single-mindedness, could work in the right club setting, with vocoder-warped backing vocals spilling behind the lead in the manner of old Blackstreet or Zapp singles. “Dirty” and “I Don’t Think You’re Ready,” are effectively sequels: The lyrics are meticulously libidinous, while the production remains skeletal. “When We” frequently serves as a blueprint for the songs on Elevation. “And while you’re partying, somebody passes you by and takes your spot. Where’s the champagne?’ and then you’re having a party that lasts a little too long,” he says. Not even the strong performance of “When We” was enough to let him cool his pace. ![]() Tank works fast - Elevation is his seventh album in the last 10 years (six solo, one with Ginuwine and Tyrese as TGT) - and he believes the constant running is a necessity if he wants to maintain his position in the R&B pecking order. Let’s make music for everybody, not just the seven percent who understand.” So in 2015, Tank took stock of the landscape and “had the tough conversations.” He explains his new mindset as, “let’s make sure I’m not just singing for the guy in the mirror.” “I did that for a long time - I’m listening to it, having the time of my life, and everyone else is like, ‘I don’t get it,'” Tank continues. Vocal dexterity is not prized in R&B the way it was when Tank emerged in the early 2000s - the glass-cracking falsetto and wordless ad-libs that open one of his biggest singles, 2007’s “Please Don’t Go,” are hard to find in the genre’s hits today. “How people hear has shifted, with the mainstream becoming more simplified,” he explains. Tank’s platinum breakthrough came after a pointed recalibration. And it’s had a two-year-long tail (and counting) - the track still got played close to 600 times last week in the radio format known as “Adult R&B.” Internet shit-storms are now commonplace, but Tank is in a rare situation for anyone in pop music: At age 43, he’s coming off the biggest hit of his career: “When We,” a detailed chronicle of a sexcapade delivered in surges and slow drips, was certified platinum last year. “The internet,” he sighed, “what can we do?” Valentine, Tank’s friend and longtime collaborator. “They’re like, ‘Oh, he’s just stirring this up because he’s got an album coming out.’ I didn’t do this.” “You know what’s crazy?” he asked, with an “R&B Money” hat - his label name - pulled tight over his head, while he munched on a Cronut. “Does that make him gay?” Tank replied that he didn’t think so conservative parts of the internet erupted and the singer spent much of the rest of the week leading up to Elevation ‘s release defending his statement on social media.īut Tank was in high spirits by the following Wednesday. (A rival radio host, Ebro, later told Tank, “She went to trap you, she tried to get you.”) “Let’s say a guy sucked a dick one time - say twice,” Yee prompted. She reached for a more extreme comparison. But Yee, who is better known for her role on the Breakfast Club, a rap radio institution in New York City, wanted the conversation to be more combustible. ![]()
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